卡拉卡拉浴场舞台设计,罗马 / Studio Fuksas
为纪念作曲家贾科莫·普契尼逝世一百周年,福克萨斯事务所在2024年卡拉卡拉歌剧节期间打造了一项富有戏剧张力的舞台设计项目,向这位音乐巨匠致敬。该舞台主要为两部经典歌剧《托斯卡》和《图兰朵》的演出而搭建。
Studio Fuksas paid homage to Giacomo Puccini on the hundredth anniversary of his death with a scenographic project for Tosca and Turandot on the occasion of the Caracalla Festival 2024.
▼舞台与卡拉卡拉浴场遗址鸟瞰,Bird’s eye view

▼舞台顶视视角,Top view

由福克萨斯夫妇设计的舞台布景,以单一的装置同时呈现两部作品。正如两位建筑师所强调的:“两个作品的舞台都使用了白色,以赋予人物更强的表现力”。该设计灵感源自罗马遗迹的宏伟气势以及歌剧本身所蕴含的强烈戏剧张力,在古典与当代之间展开对话。
▼概念草图,conecpt draft

The scenography designed by Massimiliano and Doriana Fuksas unites, in a single installation, Tosca and Turandot, the two titles . “The scene for both titles is white, to give strength to the characters,” say the Fuksas architects. The project is a dialogue between the past and the present, inspired by the grandeur of the Roman ruins and the powerful drama of the opera itself.
▼舞台与历史遗址全貌,Overall view

▼舞台与历史遗址,Stage and historical sites

▼观众席侧视角,Audience side view

“卡拉卡拉浴场遗迹展现的是古罗马的宏大尺度,”建筑师解释道,“我们试图避免与其形成对立,而是在这片历史背景中构建一个当代的前景。因此,设计构思了一个既是舞台又是建筑装置的统一布景。在卡拉卡拉浴场的以往演出中,人往往显得遥远而渺小,而新设立的白色的背景,使人物得以在其上清晰凸显。整个场景如同悬浮在云雾与冰山之间,流动且充满层次,成为托斯卡与图兰朵命运交汇的容器,一个呈现人生戏剧与情感起伏的场所。
▼模型,model

“The first theme was the comparison with the importance of the ruins of the Baths of Caracalla that are the scale of Great Rome, with which we did not want to place ourselves in opposition but to define a foreground with the background of the ancient baths.”, explain Massimiliano and Doriana Fuksas, “So we conceived a unique scenography that also serves as a stage for the singers. In all the shows at the Baths of Caracalla, man is always seen in the distance, so we created a white background against which the figures stand out well in a space like between a cloud and an iceberg, a fluid, articulated space, a space for the lives of Tosca and Turandot that in the end is like a house where the show, sometimes dramatic, of life is staged”.
▼舞台夜览,Night view of the stage

设计创新性地运用数字影像,投射出法尔内塞宫、圣天使堡以及中国场景等具有标志性的图像。 这些投影不仅营造出沉浸式视觉体验,还与演员的动作及灯光设计形成动态互动,有效增强观众的情感共鸣。通过动态的灯光系统,舞台可以迅速从黑暗压抑的氛围转变为明亮和充满希望的时刻,反映剧情的紧张与高潮。灯光的巧妙布置,在突出演员的表现的同时,也强调了浴场的建筑元素。
The innovative use of digital projections evokes iconic locations in Rome, such as Palazzo Farnese and Castel Sant’Angelo, and even references to China. These projections not only create an immersive visual environment but also interact with the movements of the actors and the lights, amplifying the emotional experience of the audience. With a dynamic lighting system, the scene can quickly switch from dark and oppressive atmospheres to moments of brightness and hope, mirroring the tensions and climaxes of the plot. The lights are positioned in such a way as to highlight both the actors and the architectural elements of the baths.
▼表演现场,Performance

▼表演现场,Performance


整体舞台设计如同一件具有生命力的艺术作品。每一处空间与构件共同营造出饱含情感与张力的氛围。科技的巧妙运用不仅尊重并提升了历史遗址的文化价值,同时也创造出一个横跨古今的舞台。
The overall effect of the scenography is that of a living work of art, where each element creates an atmosphere full of emotion and tension. The wise use of technology respects the historicity of the place and enhances it, creating a scene that is both eternal and contemporary.
▼托斯卡戏剧排练,Rehearsal

▼舞台近景,Stage close view

设计采用轻便且灵活的材料,用于打造模块化结构。这些结构既体现出现代建筑的特征,同时也向卡拉卡拉浴场所代表的古罗马建筑的建造技艺致敬。
Lightweight and versatile materials have been used to design modular structures that reflect modern architecture but are also a tribute to the Baths of Caracalla themselves.
▼平面图,plan

▼立面图,elevation

Project name: Stage Design Baths of Caracalla
Project type: Stage Design
Design: Studio Fuksas
Website: https://fuksas.com/
Contact e-mail: shenzhen@fuksas.org
Completion Year: 2024
Leader designer: Massimiliano and Doriana Fuksas
Project location: Rome, Italy
Stage footprint: 88 x 20 meters
Photo credit: Roland Halbe, Fabrizio Sansoni
Clients: Opera Roma














