Reisinger工作室，巴塞罗那 / Isern Serra

2026-02-26 16:06:26建筑设计办公会议办公建筑现代风格

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该设计通过回应既有建筑语汇，塑造一个工作空间。空间保持混凝土结构最原始、最粗粝的状态，在这种“未完成感”之中，引入精致而克制的元素，形成粗犷与优雅之间的对位关系。空间中的不锈钢楼梯与厨房被视为真正的雕塑：楼梯在垂直维度中如同桥梁，厨房则在水平方向上展开。项目受到 Andres Reisinger 数字创作世界的启发，试图营造一种超现实、梦境般的空间体验。

The intervention intends to design a workspace through elements influenced by the existing architecture. A raw space where the concrete structure is exposed in its crudest state. Playing with the counterpoint of elegance and sophistication of the elements that make up the space, treated as true sculptures made of stainless steel, the staircase that acts as a bridge in the verticality of the space and the kitchen in its horizontality. Taking inspiration from the digital world of Andres Reisinger, and creating a surreal and oneiric space.

▼项目概览，overall of the project

项目将一处底层临街空间改造为 Andres Reisinger 及其创意工作室的工作场所。空间具备多重功能，包括工作区、厨房、用餐区、露台、独立办公室及相关配套设施。项目位于西班牙巴塞罗那 Poblenou 街区，拥有直接的街道入口及一处宽敞的后院露台。入口处为通高空间，连接至二层平台，将后立面一分为二。设计的首要决策是拆除二层后半部分，使原本层高受限的双层空间转变为带有夹层的大尺度开放空间，从而强化夹层作为建筑元素的存在感，并引入更多自然光。

The project consists of a transformation of a ground floor establishment into a workspace for Andres Reisinger and his creative studio. A multifunctional workspace, aimed at offering a working area, kitchen, dining area, terrace, a private office and other utilities. The space is located in Barcelona, in the neighbourhood of Poblenou. With direct street access and a large back terrace. Upon entering from the street the space has a double ceiling leading to a second floor. Dividing the back facade in two. The first decision was to demolish the back half of the second floor. Transforming the studio from a space with two floors with low ceilings to one big open space with a mezzanine. Allowing the mezzanine to stand out as an architectural element and letting in more natural light.

▼空间保持混凝土结构最原始、最粗粝的状态，

the space retains the most original and rough state of the concrete structure

▼工作区，working area

墙面与地面的材料选择围绕既有混凝土的色调与质感展开。墙面采用石英基涂料，以膏状方式施工，形成不规则、手工感强烈的表面效果，触感细腻如天鹅绒，却保留原始、粗粝的视觉印象，呈现与混凝土结构及顶棚相呼应的灰米色调。地面微水泥在色彩与肌理上与墙面保持一致，共同构建一个单色调的空间体系。

The materiality of the walls and floor was chosen to match the raw tones and textures of the existing concrete. First the colour and texture of the walls was chose. Finished with a quartz based paint in the from of a paste. This paint give the walls an irregular and and artisanal look and feel. With a velvet smooth touch but a raw look that reminds of crude natural materials. With a grey-beige tone that matches the concrete structure and ceiling. Through this material the micro-cement was chosen to have the same tone and textured effect. To create a monochromatic world.

▼墙面与地面的材料选择围绕既有混凝土的色调与质感展开，

the materiality of the walls and floor was chosen to match the raw tones and textures of the existing concrete

▼舒适的室内氛围，comfortable interior ambiance

▼单色调的空间体系，monochromatic spatial system

空间核心是一座不锈钢螺旋楼梯，进一步强调空间的高度感，其背后是一整面从地面延伸至天花的不锈钢厨房。这些元素以精致、极简的金属质感，与裸露混凝土的粗犷形成鲜明对比，同时又在整体美学中保持克制与融合。相同的材料逻辑延续至空间中的五金构件，统一采用抛光镍饰面。

Leading to a stainless steel spiral staircase that further emphasises the height of the space. And behind it a stainless steel kitchen from floor to ceiling. The materiality of these elements contrasts the raw and crudity of the exposed concrete. A sophisticated, fine and minimal material that gives these elements a sculpture like from. The stainless steel elements retain their presence in the space, while still blending in the respecting the general aesthetic. This materiality is continued on in the rest of the space through the mechanisms with a polished nickel finish.

▼空间核心是一座不锈钢螺旋楼梯，

a stainless steel spiral staircase that further emphasises the height of the space

▼楼梯细部，details of the spiral staircase

▼由厨房看楼梯，viewing the staircase from the kitchen

▼不锈钢厨房，kitchen made in stainless steel

设计中引入了一张贯穿空间的长桌，通过悬挂于既有结构柱上，整合工作与用餐功能。为保持桌面高度的连续性，设计将工作区地面抬高，同时满足线路布置需求，并通过建筑手段明确使用边界。粉色桌面在单色空间中形成视觉焦点，其形态遵循既有建筑结构，采用直线与几何构成，避免曲线与装饰性处理，整体由现场定制完成。桌子左侧设置了一系列内嵌式石膏板书架，与建筑界面融为一体，仿佛原本即存在于空间之中，为工作区提供展示工作成果与出版物的背景。

We wanted to design a table that continues throughout the space. A space that is solved with a large table hanging from an existing pillar. A table that serves as a work space and dining area. As we wanted to keep the table at the same level and emphasise the continuity of the table we decided to raise the floor of the work area, which in turn helps us to pass cable to the rack and reinforces the limits of use from architecture. The table’s pink color allows it stand out in the rest of the monochromatic space. It is the center piece of the studio its form respects the existing architecture of the space. Avoiding any curves or ornamental features we decided to use straight lines and geometrical from to mirror the rest of the architecture. An element that was made on site. Behind the left side of the table are a series of the built in drywall shelfs, that dissimulate in with the architecture. Emphasising the concept of an element that was there to begin with. These shelves serve as a background for the work area, to be able to expose works and publication by the studio.

▼贯穿空间的长桌，table that continues throughout the space

▼长桌整合了工作与用餐功能，the long table integrates both working and dining functions

▼长桌，the long table

▼不锈钢制成的高脚凳，high-legged stool made of stainless steel

▼混凝土柱贯穿长桌，the concrete columns run through the long table

空间照明采用非常规策略。除入口通高区域配置 LEDSC4 轨道射灯外，其余照明主要通过线性灯具完成。空间的核心灯具为直径 120 厘米的 Davide Groppi “Moon” 吊灯，悬挂于工作区上方，其褶皱纸质表面在点亮后呈现出月球般的质感，营造柔和而放松的夜间氛围，光线覆盖整个空间及夹层，呼应 Andres Reisinger 作品中的梦幻气质。

The lighting in the studio is achieved through unconventional methods. The only inherently technical lighting is present in the first double height space upon entering the studio from the street, with tracks and dimmable spot lights by LEDsC4. The rest of the lighting in the space is achieved through linestras placed strategically in various spaces. However the main light fixture of the space is the 120cm in diameter spherical lamp; “Moon” by Davide Groppi. The moon suspends from the double weighted ceiling above the working area. It has a wrinkled paper texture, that when illuminated from the light source inside, resembles the moon. It gives off a soft and relaxing light that completely changes the ambience of the studio during the night time. The light of the moon spreads across the whole studio including the mezzanine. Creating a surreal and dreamlike ambience, that resembles the work of the Andres Reisinger.

▼直径 120 厘米的 Davide Groppi “Moon” 吊灯，

the 120cm in diameter spherical lamp; “Moon” by Davide Groppi

▼顶视图，top view

楼梯顶部的卫生间采用圆形布局，沿夹层边缘展开，与混凝土平台的直线边界形成对比。其外侧曲面延伸至室内，转化为一组嵌入式储物柜，表面处理模拟原始材料质感，与既有混凝土融为一体。内置混凝土沙发同样以微水泥饰面完成，并搭配与下方桌面呼应的粉色坐垫。空间中对粉色的点缀，既强化艺术家的个人标识，也指向其创作中的梦境世界。

The bathroom at the top of the stairs has a distinct form, as it curves on the edge of the mezzanine in a circular shape. Creating a contrast between the curved walls the edge of the concrete platform. The curved wall of the bathroom outside continues on inside transforming into a series of panelled wardrobes. This elevation forms part of the architecture, the finishing imitates a raw and crude material and blends in with the existing concrete of the space. The built in concrete sofa is covered in micro-cement to unify the space. With a pink cushion matching the concrete table below. The touches of pink in the space, mark the identity of the artist while resembling the oneiric worlds he creates.

▼二层工作空间，upper floor working space

主要定制工作桌受 Donald Judd 启发，由当地工匠以橡木制作完成。温润的木材质感为空间带来更具生活性的气息，与整体偏冷、原始的材料体系形成对比，并延续至 Cassina 出品的 LC7 扶手椅。家具与灯具的选择刻意偏离传统办公空间的审美，使工作室呈现出更舒适、宁静且超现实的氛围，在物理空间与数字世界之间建立模糊的边界。

The main custom made work table, inspired by Donald Judd, is made of oak. Fabricated by a local artisan. A warm material, with a soft touch. That contrasts with the raw materiality of the rest of the space. The oak gives unique touch to the space, a more homelike feel. Continued on with the LC7 armchairs by Cassina. The intentional use of furniture and lighting that does’t follow the normal aesthetics of an office, give the studio a more comfortable feel. Creating a space that looks dreamlike, serene and surreal. Merging the lines between the physical world and the digital world.

▼主要定制工作桌受 Donald Judd 启发，

the main custom made work table, inspired by Donald Judd

▼工作桌配有Cassina出品的 LC7 扶手椅，

the work desk is equipped with a LC7 armchair produced by Cassina

同一设计理念亦延伸至露台空间。露台采用与室内一致的微水泥饰面，营造出安静、冥想般的环境。由 AELAND 策划的植物系统以多样化的野生林地形态，将外部喧闹环境与室内梦境氛围隔离开来。阳光穿过不同高度与形态的植物，在地面与室内投射出流动而有机的阴影。露台及两侧立面的半透明白色帘幕，共同构成一道柔性的边界，分隔数字化的梦境内部与现实世界。

The same concept is applied to the design of the terrace. With the same micro cement finish as the interior. The terrace is a relaxing and zen space. With a partition of ,forrest like, plants that separate the busy environment outside from the oneiric ambience inside. Through the use of various typologies of plants, with wild forest appearance, curated by AELAND, this separation of worlds was achieved. The sunlight filters through the different heights and forms of plants, creating organic and fluid shadows in the floor inside. The terrace and use of long flowing translucent white curtain on both facades act as a barrier between the digital dreamscape inside and the world outside.

▼走廊，hallway