[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"website-data":3,"cases-info-4338":26,"website-menu":68,"details-case-recommend":299,"cases-list-right":332},{"web_name":4,"web_company_name":5,"web_url":6,"web_copyright":7,"web_logo":8,"web_icp":9,"web_security":10,"contact_address":11,"contact_tel":12,"contact_email":13,"web_icp_url":14,"web_security_url":15,"seo_title":5,"seo_keywords":16,"seo_description":17,"web_work":18,"customer_service_name":19,"customer_service_face":20,"web_tbl":21,"web_tbl_url":22,"watermark_root":23,"watermark_position":24,"watermark_text":25},"IEC环境建设网","IEC国际环境建设","https://web.iec.zlxtbj.com","IEC国际环境建设 © 2012--2020 . 版权所有.北京华城远大国际城市规划产业发展股份有限公司","https://www.iecwww.com/uploads/image/20230904/27abd44fff635b810d443e3289a77982.png","京ICP备18025161号","京公网安备 11010202010353号","北京北京","4000-555-996","service@iecwww.com","https://beian.miit.gov.cn","https://www.beian.gov.cn/portal/registerSystemInfo?recordcode=11010202010353","IEC，IEC国际，IEC国际环境，IEC国际环境建设，IEC国际环境建设网，International environment construction，IEC项目案例，IEC设计专辑，IEC品牌机构，IEC企业资质，IEC项目导航，IEC项目获奖，IEC求职招聘，IEC设备建材，IEC高新科创，IEC邀约合作，IEC获奖指南，IEC新闻资讯，IEC个人求职，IEC企业招聘，IEC特价建材，IEC资源对接，IEC项目邀约，IEC项目合作，IEC供应链，IEC国际供应链，IECVIP会员，IEC入驻会员，IEC战略合伙人，IEC城市合伙人，IEC赋能峰会，IEC国际赋能峰会，IEC分享会，IEC国际合作会议，IEC战略合作，IEC注册登录，IEC个人中心，IEC会员中心，IEC运营中心，IEC服务中心，IEC推广中心，IEC邀请好友，IEC动态圈，IEC商学院，IEC搜索，规划设计，地产规划，乡镇规划，产业规划，旅游规划，景观规划，村庄规划，城市更新，城市设计，农业规划，保护规划，建筑设计，办公会议，酒店会所，旅游民宿，康养医疗，文化体育，科研教育，展览展示，餐饮娱乐，接待中心，综合商业，工业，交通，住宅，别墅，样板间，装配式设计，照明设计，BIM设计，智能化设计，休闲娱乐，既有建筑改造与更新，古建遗址，生态建筑，景观设计，环境提升，市政绿化，旅游度假，生态绿化，产业园区，住宅庭院，游乐场，景区，公园，道路设计，桥梁设计，电力管线设计，给排水管网设计，项目咨询，项目建议书咨询，可研报告咨询，造价咨询，项目全过程咨询，勘察企业，建筑勘察，岩土勘察，工程勘察，勘察测绘，检测鉴定，品牌策划咨询，设计咨询，设计企业，设计院，招标代理，咨询企业，建筑业企业，建筑业企业施工总承包资质，建筑业企业专业承包资质，建筑工程施工总承包，公路工程施工总承包，铁路工程施工总承包，港口与航道工程总承包，水利水电工程施工总承包，电力工程施工总承包，矿山工程施工总承包，冶金工程施工总承包，石油化工工程施工总承包，市政公用工程施工总承包，通信工程施工总承包，机电工程施工总承包，地基基础工程专业承包，起重设备安装工程专业承包，预拌混凝土专业承包，电子与智能化工程专业承包，消防设施工程专业承包，装饰装修专业承包，工程勘察综合资质，工程勘察专业资质，工程勘察劳务资质，工程设计综合资质，工程设计行业资质，工程设计专业资质，建筑工程设计事务所，工程设计专项资质，招标代理机构资质，造价咨询企业资质，展览工程，展览工程设计施工一体化资质，展览工程资质，城乡规划编制资质，工程咨询资信单位资质，质量检测机构，水利工程质量检测，安全生产许可证，博物馆陈列展览资质，测绘单位，土地规划机构资质，BIM施工应用，装修工程，劳务分包，智能化工程，道路工程，设备工程，水利水电工程，监理企业，建筑部监理，交通部监理，水利部监理，设计与施工一体化企业，建筑智能化工程设计与施工，消防设施工程设计与施工，建筑装饰装修工程设计与施工，建筑幕墙工程设计与施工，灯光亮化，喷泉水系，法律顾问，财务顾问，工程检测，建筑材料，装饰材料，家具，招标预告，招标公告，中标结果，流标公告，拟在建项目，业主直招，国际室内设计大奖，金堂奖，筑巢奖，红棉奖，芒果奖，金案奖，金树奖，金住奖，环球人居设计大奖，梁思成建筑奖，红点奖，普利兹克建筑奖，金块奖，詹天佑奖，鲁班奖，美国LEED绿色建筑认证，中国建筑工程装饰奖，长城杯，白玉兰奖，中国建筑学会，艾景奖，创新杯BIM应用大赛，新品推荐，建筑业企业名录查询，建筑业企业资质名单查询，设计甲级，施工一级，监理甲级，咨询甲级，招投标甲级","IEC国际环境建设（International environment construction），简称IEC。IEC国际环境建设是环境建设互联网门户网站，集设计、勘察、咨询、施工、材料、设备于一体，致力于让企业、团队、人才共享共赢，共同发展的环境建设专业互联网平台。IEC国际环境建设平台为环境建设行业各专业领域的企业、团队、人才，量身打造专业专属互联网模板，在平台上实现信息互联互通，实时更新，是资源共享、专业互补、高效便捷的合作平台，也是环境建设行业全产业链互联网大数据平台。主要核心服务有：项目案例、设计专辑、品牌机构、企业资质、项目导航、项目获奖、求职招聘、设备建材、高新科创、邀约合作等十大版块。","周一到周五09:00-18:00","IEC官方客服","https://www.iecwww.com/uploads/20210727/c549a9e212ab5c7a84f1d069b91f5544.png","京B2-20222776","https://dxzhgl.miit.gov.cn/dxxzsp/xkz/xkzgl/resource/qiyechaxunX.jsp?num=%25E5%258C%2597%25E4%25BA%25AC%25E5%258D%258E%25E5%259F%258E%25E8%25BF%259C%25E5%25A4%25A7%25E5%259B%25BD%25E9%2599%2585%25E5%259F%258E%25E5%25B8%2582%25E8%25A7%2584%25E5%2588%2592%25E4%25BA%25A7%25E4%25B8%259A%25E5%258F%2591%25E5%25B1%2595%25E8%2582%25A1%25E4%25BB%25BD%25E6%259C%2589%25E9%2599%2590%25E5%2585%25AC%25E5%258F%25B8&type=xuke","/www/wwwroot/main.iecwww.com/public","5","IEC",{"info":27,"up":60,"down":64},{"id":28,"name":29,"name_md5":30,"joint_designer_ids":31,"prize_id":32,"prize_desc":31,"prize1":31,"prize2":31,"prize3":31,"designer_id":33,"cases_classify_pid":34,"cases_classify_id":35,"cases_architecture_id":36,"cases_style_id":36,"content":37,"content_imgs":38,"cover":39,"recommend_status":40,"tags":41,"collect_num":32,"is_white_list":36,"province":52,"city":31,"create_time":53,"update_time":54,"visit":32,"description":38,"keyword":38,"cases_architecture":55,"cases_style":56,"cases_classify":57},4338,"EL BORN阁楼住宅，西班牙 / Roman Izquierdo Bouldstridge","dbd21b6232f6396c0a7cb6c4db546721","",0,152939,9,33,1,"\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">位于巴塞罗那埃尔博恩（El Born）街区的一处旧商业空间被改造为住宅，这一项目被构想为一次关于“空”的探索。其设计理念呼应了老子所提出的空间观：“埏埴以为器，当其无，有器之用；凿户牖以为室，当其无，有室之用。故有之以为利，无之以为用。” 项目的核心概念围绕“空”的四个相互关联的维度展开：时间、空间、材料与功能。\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼轴测图，axonometric diagram\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007001.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">The conversion of an old commercial space into a dwelling, located in the Barcelona district of El Born, is conceived as an exploration of the void. The project aligns with the spatial conception developed by the master Lao-Tse: “We make a vessel from a piece of clay; it is the empty space inside that gives it its utility. We build doors and windows for a room; but it is these empty spaces that make it habitable. Thus, while the tangible has its advantages, it is the intangible from which the useful emerges.” The core concept is articulated across four interrelated dimensions that embody the void: time, space, material, and program.\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼项目概览，overview of the project\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007002.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007003.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">时间中的空：一个系统的转化 The Void in Time: Transformation of a system\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">模块化白蜡木系统最初并非为这间阁楼而设计。在长达十年的时间里，它经历了多种不同配置，最初作为商业空间设施使用，随后成为办公空间系统，并不断适应新的需求，而始终未改变其结构逻辑。\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">The modular ash wood system was not originally designed for this loft. Over a span of ten years, it has adopted various configurations, initially serving as commercial infrastructure and later as office spaces, adapting to new needs without compromising its structural logic.\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼模块化白蜡木系统，The modular ash wood system\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007004.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">这种做法不仅仅是对一个系统的再利用，更是在其生命周期的每个阶段赋予其新的意义。这一结构先后被重新诠释为商业支撑系统、办公家具，最终成为具有象征意义的居住元素。木材保留着痕迹、色差以及时间留下的印记，将老化过程转化为一种建筑品质。\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">This approach goes beyond merely reusing a system; it involves attributing new meanings at each stage of its lifecycle. The structure is successively reinterpreted as commercial support, workplace furniture, and finally, as a domestic element with symbolic value. The wood retains marks, tonal variations, and traces that bear witness to the passage of time, incorporating aging as an architectural quality.\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼木材保留着痕迹、色差以及时间留下的印记，\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">The wood retains marks, tonal variations, and traces that bear witness to the passage of time\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007005.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">因此，建筑接受了一种非恒定的状态：系统在时间中的连续性并不依赖于其固定存在于某一场所，而在于其能够适应新的形式与功能，同时保持自身身份。时间之中存在着一种“空”——即便结构与用途不断演变，其内在逻辑始终保持不变。\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">Architecture, therefore, embraces a state of impermanence, where the continuity of the system over time depends not on its permanence in a specific place but on its ability to adapt to new forms and functions while maintaining its identity. A void exists in time; even though structure and use evolve, its underlying logic remains unchanged.\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼装配施工过程，assembly construction process\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007006.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">空间中的空：三个鸟居构成的连续序列 The Void in Space: A succession of three torii\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">项目创造了一处由三个连续鸟居（torii）构成的新场景。鸟居是日本传统建筑中的门形构筑物，象征着从世俗走向神圣的过渡。它们的作用并不在于物质层面的使用功能，而在于为使用者创造一种全新的感知体验。在这些门槛之间形成了间隔与停顿，从而构建出一条具有内部路径感的空间景观。\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">The project involves creating a new scenery formed by a succession of three torii, traditional Japanese gateways symbolizing the transition from the profane to the sacred. Their function lies not in their material use but in the new perception provided to the user. Between these thresholds, intervals and pauses are generated, giving rise to a landscape with an interior path.\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼三个连续鸟居，three torii\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007007.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">日本“间（ma）”的概念强调中间空间作为意义生成者的重要性。定义场所的并非孤立的元素本身，而是元素之间的关系与距离。重复带来了节奏感，并改变了人们对空间的感知。空间序列最终抵达一段通向自然光的楼梯，从而强化了抵达另一空间的体验。虽然人们看到的是鸟居本身，但真正重要的是其所框定出的空无。\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">The Japanese concept of ma emphasizes the significance of the intermediate space as a generator of meaning. It is not the isolated element that defines the place, but rather the relationships and distances between elements. Repetition introduces a rhythm that transforms spatial perception. The sequence culminates in a staircase leading to natural light, enhancing the experience of reaching another space. Although the visible is the torii, the essential lies in the void it frames.\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼空间序列最终抵达一段通向自然光的楼梯，\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">The sequence culminates in a staircase leading to natural light\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007008.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">材料中的空：白色作为可能性的场域 The Void in Material: White as a field of possibility\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">设计介入采取了一种尽可能减法的策略——移除尽可能多的元素，仅增加绝对必要的部分。墙体被剥离至原有石材与砖砌结构显露出来；吊顶被拆除，以展现木梁和加泰罗尼亚陶瓷拱顶；整个空间围护界面则被统一覆盖于一层白色之下。白色并非作为一种饰面存在，而是作为“空”的视觉对应物——它并非颜色的缺失，而是一片等待被占据的可能性场域。\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">The intervention starts with an approach that seeks to remove as much as possible while adding only what is strictly necessary. The walls are stripped back to reveal the existing stone and brick masonry, false ceilings are removed to expose the wooden beams and Catalan ceramic vaults, and the entire envelope is unified under a layer of white. White does not act as a finish, but rather as the visual equivalent of the void; it is not an absence of color, but a field of possibility to be inhabited.\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼石材、木材与陶瓷从这一中性的背景中浮现出来，\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">Stone, wood, and ceramics emerge from beneath this neutral surface\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007009.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">石材、木材与陶瓷从这一中性的背景中浮现出来，并在一种抽象的语言中强化其存在感。空间边界被弱化，自然光得以扩散，同时突出鸟居木构件的存在，并营造出温暖的空间氛围。减少并不意味着删减，而是让建筑聚焦于光、空间与材料这些最根本的要素。\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">Stone, wood, and ceramics emerge from beneath this neutral surface, intensifying their presence in an abstract language. Boundaries dissolve, and natural light expands, while highlighting the wood of the torii and fostering a warm atmosphere. Reduction does not imply subtraction, but rather the concentration of architecture on light, space, and material as fundamental elements.\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼厨房，kitchen\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007010.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007011.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007012.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">功能中的空：灵活且可互换的使用方式 The Void in Program: Flexible and interchangeable use\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">空间布局遵循同样的克制逻辑。一个层高接近五米、由夹层组织的开放空间构成连续平面，浴室是唯一被封闭起来的房间。空间内部没有建立等级关系或功能分隔，从而形成一个开放的功能体系。项目并未预先定义固定用途，而是创造出一个能够随时间演变的灵活框架。目前，这间阁楼作为住宅使用，但无需改变建筑本身，便可轻松转变为办公室、商店或其他用途。\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">The layout follows the same logic of containment. A single open space, nearly five meters in height, articulated by a mezzanine, forms a continuous floor plan where the bathroom is the only enclosed space. No hierarchies or partitions are established, giving rise to an open program. The project does not define specific functions, generating a flexible framework capable of evolving over time. The loft is currently a residence, but could easily be converted into an office, shop, or another use without altering its architecture.\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼阁楼，loft\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007013.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼卧室，bed room\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007014.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼办公空间，office\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007015.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼家具细部，Furniture detail\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007016.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">家具则以最基本的结构形式构成：由四条支腿支撑的板面，根据不同用途调整高度与比例。系统再利用、最小化建造介入、资源节约以及功能灵活性，并非源于某种特定的可持续发展目标，而是自然地来自对简约性的追求。正是在这种克制之中，最小化之美得以显现。一棵大型树木与植物被视为占据空无却不固定空无的生命体。建筑并不将自己呈现为一个对象，而是提供一种安静的支撑；一种留白的空间，使材料、光线与生活能够和谐地进入其中。\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #999999; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif; font-size: 14px;\">The furniture is resolved through the most elemental structure: panels on four legs, varying in height and proportion according to their function. The strategy of reusing a system, minimal construction intervention, resource reduction, and flexibility do not respond from a specific sustainability goal, but rather emerge naturally from the search for simplicity. In this containment arises the beauty of the minimum, where a large tree and plants are conceived as living elements that occupy the void without fixing it. The architecture does not present itself as an object, but offers a silent support; a blank space allowing matter, light, and life to enter in harmony.\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">▼平面，floor plan\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica Neue', 'PingFang SC', sans-serif;\">\u003Cimg src=\"https://www.iecwww.com/uploads/images/20260624007/20260624007017.jpg\" />\u003C/span>\u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\"> \u003C/p>\n\u003Cp style=\"text-align: justify; line-height: 2;\">\u003Cspan style=\"color: #333333; font-family: 'Microsoft YaHei', 'Helvetica 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